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Tag Archives: Barn
Grand Tetons Workshop / Tour Offerings for 2013
(See more images an testimonials below!)
Jon Paul’s Approach to Workshops / Tours?
“Jon, I would just like to thank you for the amazing workshop in the Grand Teton NP this fall. It way exceeded my expectations as a professional photographer and you have all the social skills, technical talent, great sense of humor and the “7th” sense to find the coolest spots and make a special visit even more special! You have to use your amazing talent and lead many more. I would highly recommend you as a workshop LEADER in the photo community ! ”
Marcell Puzsar Tetons 2012
“I really would like to encourage those that interested in photography (at all levels) to sign up with Jon. I recently completed a photography workshop with Jon and learned so much within a short time. Jon has an incredible eye for detail and is so willing to share his ideas and knowledge. With his encouragement and enthusiasm, you will not only leave with a better knowledge of photography but also, take a little of piece Tahoe memories with you in your camera!” Ju Shen, Singapore 2012
“I want to thank you for an outstanding workshop in the Grand Tetons. The camaraderie and team interaction was awesome. I think it is a tribute to you that a group of total strangers could come together and feel as if they knew each other for years.The photography experience was one of the best I have ever had. Your ability to blend both the technical and creative is outstanding. I learned as much about the art as the photographic skills.The selection of the locations and your knowledge of how the weather and conditions would play out was both impressive and a critical factor in creating a great experience. Thanks for an outstanding workshop.”
Mike Miller Grand Tetons 2012
“I took part in the Tetons fall workshop offered by Jon Paul and couldn’t be more happy about that. Besides being a master photographer Jon is also a great teacher and a super friendly person to be around. The workshop was well structured yet flexible, the scenery was stunning and the atmosphere of camaraderie provided an additional icing on the cake! Jon was very personable and freely offered his advice making sure all of the participants were progressing with their skills and vision.I’d highly recommend his workshops to anyone interested in taking their photography to the next level.”
Anna K. Grand Tetons 2012
www.jonpaulgallery.com 530-544-4269 http://www.facebook.com/JonPaulGalleryLakeTahoe
Fall Photographic Workshop in Grand Teton National Park!
Grand Tetons in the Fall, 2012: September 27-30.
This will be a four day adventure focussing on iconic Teton landscape images, as well as wildlife photography. Along with putting us in the right place at the right time to capture our dream photos, I will be teaching about composition, exposure, light, perspective and proper technique. 100% of our time will be spent in the field, where we will learn while doing. While our days are long and tiring, they are also extremely rewarding both photographically and personally. Comeraderie is a huge part of our experience. We will have a great time in a world class wilderness environment and come away better photographers for it. This will be limited to a small number of participants so everyone has all the personal attention required to get the most out of the experience.Please call to discuss any details that may help you make your decision.Please call the gallery directly to inquire! 530-544-4269
Black & White adds Drama and Mood
This image, taken along Mormon Row in Grand Teton National Park, has as western a feel as one could ask for. While the image was “nice” in color, I knew it didn’t have that something special that I look for, especially in an iconic scene. The dramatic clouds, mottled light and vintage theme made this an obvious choice for black and white. The wide range of tones from pure white to deep black gave the punch I had envisioned. While it takes some practice to get a feel for tone v.s. color, the results are well worth the effort. Importantly, as a large format photographer, I make all of my choices relative to the final image I envision before clicking the shutter. This is good practice, and helps increase your chances of success. (Don’t have the attitude that you can “fix it” later!)
Photo Tip: Pre-visualize whether the scene you are composing will be strongest in color or black and white. At that point you can use your judgement as to how to expose for the image, and whether to use different filters to prepare for the processing it may require. (ie-strongly polarizing an image to darken the sky in anticipation of greater contrast against white clouds in a black and white).
December brought extremely cold temperatures, freezing fog and a blanket of frost to the area surrounding Lake Tahoe. Knowing that these extreme conditions can create a special mood for the right composition, I spent three mornings searching within the pogonip for interesting “western” scenes. I had driven past this traditional red barn hundreds of times, but this is the first image I have composed of the structure.
The frosted trees, pogonip and diffused morning light add an air of history to the scene. I especially liked the way the mountain backdrop disappeared into the mist allowing my imagination to wander. The detail of the tree’s soft shadow on the barn is subtle, but intriguing. I much preferred this “softer” feeling image to the bright contrasty, literal scene I observed the previous morning. An iconic western scene became something special when paired with unique and dramatic natural conditions. Using the panoramic format enabled me to eliminate the clearing sky and retain the intimate feel I desired.
Tips: Given the extreme temperatures (about 5 degrees F) I kept my camera pack in the back of my truck as I explored, eliminating issues like fogging that can occur by taking the camera directly out of a heated vehicle. My camera backpack is padded, so the equipment cools slowly as I explore. In these frigid conditions, I always hold my breath when near the lens. Warm moist air that is breathed out will coat the lens and immediately freeze and will take precious time to thaw. Wiping a frost covered lens can create scratches and damage a modern lenses coating. To protect myself, I was using a new pair of fleece gloves that had pile on the inside, but a smooth weave on the outside. They were thin enough to handle the controls on my bellows camera, but still kept my fingers from becoming frost bitten. Finally, watch your exposure in foggy conditions. This type of scene often requires an exposure compensation of +1/2 to +1 full stop. I usually cross reference my spot metering with an ambient reading. If shooting digital, watch the left side of your histogram.
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