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Monthly Archives: October 2011
One Evening in Yellowstone
Madison River Sunset Panorama, Yellowstone N.P.
After photographing my last sunrise in Grand Teton National Park this Fall, I quickly closed up my camper and headed for Yellowstone. I only had enough time to visit the Madison area for sunset before I started my journey home to Lake Tahoe. Fortunately, a storm rolled in and made my 1/2 day a real treat. After a torrential downpour, the sky began to clear and the last light of day created some peaceful magic.
The expansive nature of Yellowstone has me intrigued. In this scene, the meandering Madison River, complete with a glorious sunset reflection, is set off against the simplicity of Yellowstone’s grassland. The two geysers in the background remind me how unique this environment is. The storm clouds above, complete with sunset light, add a mood and power to the scene. This new image is a reminder of the tranquility I find through the power of natural experiences. I hope this image enables you to, “Bring the Fine Art of Nature Home”. I am motivated to return this coming Spring. Let me know if you might like to join me.
This image is now available for purchase through the Jon Paul Gallery !
Photo Tip: When the weather gets really bad, be patient and stay out there! Quite often, the most dramatic light exists on the edges of storms. Especially when dealing with an expansive landscape, clouds and reflection can open up the image and add depth and perspective. So, when everyone else runs for cover, put on the Gore-Tex, cover your camera with a plastic bag and wait for the magic.
Equipment: Canham 5×7 metal field camera, Canham 6×17 cm panoramic roll film back, Rodenstock 150mm Sironar-S lens, Gitzo 1325 carbon tripod, Really Right Stuff BH-55 ball head, Fuji Provia 100 transparency film.
Black & White adds Drama and Mood
Moulton Barn Panorama Black & White
This image, taken along Mormon Row in Grand Teton National Park, has as western a feel as one could ask for. While the image was “nice” in color, I knew it didn’t have that something special that I look for, especially in an iconic scene. The dramatic clouds, mottled light and vintage theme made this an obvious choice for black and white. The wide range of tones from pure white to deep black gave the punch I had envisioned. While it takes some practice to get a feel for tone v.s. color, the results are well worth the effort. Importantly, as a large format photographer, I make all of my choices relative to the final image I envision before clicking the shutter. This is good practice, and helps increase your chances of success. (Don’t have the attitude that you can “fix it” later!)
Photo Tip: Pre-visualize whether the scene you are composing will be strongest in color or black and white. At that point you can use your judgement as to how to expose for the image, and whether to use different filters to prepare for the processing it may require. (ie-strongly polarizing an image to darken the sky in anticipation of greater contrast against white clouds in a black and white).
Stay Open to Something Different!
Schwabacher's Beaver Pond Reflection
This is one of my favorite landscape images from my recent trip to Grand Teton National Park. I had a morning to myself during my Fall “shoot with the pro” field workshop, so I visited the iconic Schwabacher’s Landing. After the sunrise at the most popular spot fizzled, I wandered around and took advantage of the soft, mottled light that was produced by the encroaching storm clouds just 30 minutes into the day. The low sun at this time of year makes this possible. This beaver pond held a perfect mirror reflection. I was able to include a beaver hut, dramatic clouds , fall color, moody dead trees, and the dramatic peaks in the background. Normally this is a lot to include in one composition, but the reflection helped balance and calm the image. I captured the image on 4×5 inch transparency film, so the detail is amazing. As with most of my images, this composition has a real wow factor, but the viewer will be awed by the subtle details in a large gallery print. Another amazing experience that will endure the ages!
Photo Tip: During Fall and Spring, don’t disregard the soft light one hour after sunrise and one hour before sunset. Especially when combined with dramatic skies in these changing seasons, early and late light can be a nice compliment to colorful compositions. While dramatic alpenglow and sunrise/sunset colors are exciting, warm light can be more subtle and pleasing for fine art images that will hang in someone’s home. Take advantage of the magic hour at these times of year and you may be greatly rewarded!
Equipment: Canham 5×7 Metal Field Camera, 4×5 reducing back, Rodenstock 150mm APO Sironar-S lens, Gitzo 1325 Carbon Tirpod, Really Right Stuff BH-55 ball head, Fuji Velia 100F transparency film. Film scanned on a Hasselblad/Imacon 646 drum scanner.
“Whisper Sweet Nothings”
Whisper Sweet Nothings
This is one of my favorite wildlife images from my recent trip to Grand Teton National Park. I arrived a day early for my “shoot with the pro” workshop, and took a little time to scout the area and check conditions. I found this happy couple while hiking along the Gros Ventre River, and ended up spending the evening photographing their antics. Watching the courting rituals of moose is a lot of fun, and good for a laugh or two as well. While I captured several nice images of the bull and cow individually, I found this image of the two moose interacting the most engaging. I look forward to hanging a large print of this image in my gallery very soon!
Photo Tip: Successful wildlife photography requires good planning, being in the right place at the right time, a knowledge of the animals behaviours, and putting in your time. Often there is much waiting around and testing of patience. However, if you are diligent and remain prepared, your patience can be rewarded with that one special moment you have been hoping for. While the reward is great, the experience should also be appreciated. Respect the animals that you are observing. Don’t take the attitude of “get the shot at all costs”. Observe, enjoy and appreciate the beauty of the experience while capturing images. It is hard for animals to make a living in the wild. Don’t make it more difficult than it has to be!
Equipment: Nikon D300, Nikon 200-400 F4 AF VR lens, Gitzo 1325 carbon tripod, Really Right Stuff BH-55 ball head.
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